Strangers on a Train *
Alfred Hitchcock, 1951
US
@ Central Cinema

Less contrived than I remember. This time I had to wonder why we're interested in Guy Haines, though. He never really does anything nice for anyone, and he gets what he wants in the end via Bruno's insane plan, but doesn't seem to acknowledge that. Shouldn't Bruno actually be the tragic protagonist?

See also: IMDb | TCMDb